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From the get-go, I was like, ‘Well, this is too simple.’ But the more I listened to it, I played it over and over again, and then starting off with the flute, it inspired me to go over to the drums and play this drum rhythm. “The music needs to be advanced and clever. “In my head, when I’m thinking about writing music for ‘Star Wars,’ I set the bar very high,” the composer explained. Despite audiences’ immediate positive reaction, Göransson worried his impulse was too simple at first.
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That melancholy howl became the sound of the lonesome bounty hunter on the first live-action “Star Wars” TV series. I was just alone in my studio with all these instruments. That’s the way I used to write music when I was a kid. I wanted to take a step away from screens and computers. “ I bought a set of recorders, these little woodwind recorders that everyone played when they were a kid. “ I just started thinking a lot about going back to how I remembered ‘Star Wars,’ and the impact it had with me as a little kid,” Göransson told Variety from his Los Angeles studio. The decision to use that recorder, or flute as the Oscar-winning composer often calls it, was inspired by Göransson’s desire to return to his childhood roots. What will live in “Star Wars” infamy longer: Baby Yoda or the opening notes of “The Mandalorian” theme?Īs compelling (and cute) as Baby Yoda is, one could argue that the entire tone of “The Mandalorian” is driven by the opening notes played on Ludwig Göransson’s bass recorder.